While I was in Paris last spring I had the pleasure of visiting the Musée d’Orsay to see a few exhibitions, including a retrospective of the work of Gustave Doré. One of the biggest pieces in the collection they were showing was his extravagant oil painting; Christ leaving the Praetorium. There, in the centre of the canvas, is a figure draped in the purest white; a halo offers a luminescent glow around a crown of thorns that seems to have barely left a scratch on the perfect hair it sits upon. The label may have said it was a painting of...
View Article
